Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay to the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no one else is protected either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as a trilogy. Did it really end the strategies by which you planned it in the beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay for the film being depending on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you are adapting a novel in a two-hour movie you cannot take everything with you. The story has to become condensed to suit the modern form. Then you have the question of methods best to look at a book told in the first person and present tense and transform it in to a satisfying dramatic experience. In the novel, you never leave Katniss for any second and are privy to any any of her thoughts so you need a way to dramatize her inner world and to make it feasible for other characters to exist outside of her company. Finally, you have the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A lot of things are acceptable on a page that couldn't survive on the screen. But how certain moments are depicted may ultimately be inside the director's hands.

Q: Are you currently able to consider future projects while working on The Hunger Games, or are you immersed within the world you might be currently creating so fully it is simply too challenging to think about new ideas?

A: We have a few seeds of ideas floating around in my head but--given very much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges i can commence to develop it.

Q: The Hunger Games is once a year televised event where one boy and something girl from each with the twelve districts is expected to participate in a very fight-to-the-death on live TV. What can you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they've very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, this doesn't happen possess the impact it should.

Q: In case you were instructed to compete inside Hunger Games, so what can you think that your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope will be to obtain hold of the rapier if there is one available. But reality is I'd probably get in relation to its a four in Training.

Q: What do you hope readers will come away with when they read The Hunger Games trilogy?

A: Questions about how elements from the books could possibly be relevant in their own lives. And, if they're disturbing, what you might do about them.

Q: What were some of your favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but now it is for world control. While it is a clever twist about the original plot, this means that there exists less focus around the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in to a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and at her very own motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very evidenced as part of his voice, which goes from rage to puzzlement for an unsure go back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and a lot of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each one from the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





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